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I Died a Thousand Times (1955)

6.1 | Nov 09, 1955 (US) | Crime, Thriller | 01:49

The Story Behind The Terrifying 60-Day Hunt For Desperado 'Mad-Dog' Earle!

After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.

Featured Crew

Director
Second Unit Director of Photography
Novel, Screenplay
Stunts
Stunts
Producer
Makeup Supervisor
Costume Design, Wardrobe Master
Second Unit Director
Original Music Composer

Cast

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Jack Palance
Roy Earle / Roy Collins
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Shelley Winters
Marie Garson
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Lee Marvin
Babe Kossuck
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Perry Lopez
Louis Mendoza
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Richard Davalos
Lon Preisser
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Howard St. John
Doc Banton

Reviews

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John Chard
7.5 | Mar 16, 2019
Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years. I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph. It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film. Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb. While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10