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Gone Girl (2014)

7.9 | Oct 01, 2014 (US) | Mystery, Thriller, Drama | 02:29
Budget: 61 000 000 | Revenue: 370 890 259

You don't know what you've got 'til it's...

With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.

Featured Crew

Director
Producer
Executive Producer
Original Music Composer
Foley
Novel, Screenplay
Executive Producer
Original Music Composer
Casting

Cast

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Ben Affleck
Nick Dunne
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Rosamund Pike
Amy Dunne
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Neil Patrick Harris
Desi Collings
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Tyler Perry
Tanner Bolt
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Carrie Coon
Margo Dunne
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Kim Dickens
Detective Rhonda Boney
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Patrick Fugit
Officer James Gilpin
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David Clennon
Rand Elliott
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Lisa Banes
Marybeth Elliott
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Missi Pyle
Ellen Abbott

Teasers

Gone Girl | Simplest Answer TV Commercial [HD] | 20th Century FOX

Gone Girl | Where Is Your Wife, Nick? TV Commercial [HD] | 20th Century FOX

Gone Girl | Wife Goes Missing TV Commercial [HD] | 20th Century FOX

Reviews

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CinemaSerf
7 | Jan 22, 2025
"Nick" (Ben Affleck) is seemingly happily married to the gorgeous and witty "Amy" (Rosamund Pike) until he comes home one evening and finds a smashed table and no wife. The cops turn up with "Boney" (Kim Dickens) and "Gilpin" (Patrick Fugit) soon smelling a rat. Together with her parents, they do all the usual publicity stuff but to no avail. Then the police start to wonder if he's telling the truth, and that suspicion is only heightened when they discover some deliberately left breadcrumbs that begin to suggest that he is a bit of a cheating brute and that she was terrified he was going to kill her. As evidence mounts, you wouldn't put your money on "Nick" so with the support of his no-nonsense sister "Margo" (Carrie Coon) he engages acclaimed lawyer "Bolt" (Tyler Perry) and they start digging. They are ill-prepared for the truth that they actually do discover, though not as ill-prepared as "Collings" (Neil Patrick Harris). As we learn more about who did or didn't do what to whom, we find ourselves immersed in quite an complex web of lies, deceit and downright evil. For my money, this is Affleck's best film as his character has more skin in the game and as the tension mounts he sweats the story for all it's worth. Pike is also on great form as the fiendish "Amy" who is perfectly capable of manipulation on a fairly grand scale. There are also quite a revealing series of cameos from Reece Witherspoon's television chat show host who's motto ought to be "never let the truth get in the way..." The self-adaptation of her novel allows both Gillian Flynn and David Fincher to squeeze the juice from an ensemble cast that play to just about every toxic form of sexist stereotype the media can concoct and peddle. To be honest, I didn't love the denouement. Somehow I felt it let this whole carefully plotted and crafted exercise down a bit, but for the preceding 2½ hours it really does hold your attention.
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Filipe Manuel Neto
8 | Sep 05, 2023
**An excellent film, which never leaves us comfortable and where nothing is as it seems.** This is one of those films that can unnerve and exasperate us, but that we love to watch. In fact, I don't remember seeing many films where the main character deserved my hatred. I don't want to, and I won't reveal what happens in this film, but it's one of those where appearances can be deceiving and where things aren't what they seem. The action focuses on the disappearance of a woman and her husband's efforts to find her. To our eyes, it's obvious that he really wants to find her, perhaps more than her parents, who seem to be just taking the opportunity to publicize the children's books they've published. However, little by little, he becomes a suspect in a hypothetical murder case. David Fincher is a director who has already shown what he's worth: I loved “Se7en”, “Game”, “Fight Club” and “Zodiac”, but I didn't really like “Social Network”, or “Benjamin Button”. In this film, he directs skillfully, but not without debatable choices: for me, the story's most important twist all comes too soon, and the ending is lazy, overly sudden, and makes it feel like the film was cut short before the end. The rest is incredibly well done and works wonderfully, and the film is a gradual construction where the details are fundamental and very well-thought-out. I really liked Ben Affleck's work. For me, it is one of the best films the actor has made to date. We feel his commitment, the way he develops the character and allows himself to appear increasingly distressed, submissive, without a will of his own, like someone who is living a nightmare and just wants it all to end. Alongside this renowned actor is Rosamund Pike, an authentic ice maiden accustomed to the most frigid roles we can imagine. She is not one of my favorite actresses, she is one of those that I consider not very versatile, but she gave everything that her character asked for: coldness, an intelligent and sharp mind, extreme physical and emotional self-control, a calculating spirit and a sweet and angelic face. Among the supporting cast, we have well-selected names, such as the friendly Tyler Perry, a very focused and rational Carrie Coon and a sinister Neil Patrick Harris. Technically, I believe it is fair to highlight the intelligent use of cinematography, which is almost never warm and pleasant. There are scenes where we see this, right at the beginning, where things were going well for Affleck's character, but the essence of the film is made with a cold, uncomfortable color palette and scarce, hazy or artificial light. The film never makes us comfortable and creates its dramatic tension solidly. The sets and costumes also contribute, with that huge house for just one couple, with few signs of human warmth and joy. Finally, the soundtrack adds a sinister and deeply atmospheric touch that cannot be ignored.
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Matthew Brady
10 | Jan 27, 2020
"This man might honestly kill me". The story is about Nick Dunne, as he finds out his wife has gone missing. As increasing police and media pressure mount, the facade of a loving and blissful union crumbles and amidst the lies and behavior of Nick, the question remains - did he kill her? David Fincher is a true master class when it comes to directing, because Gone girl is one of the best films of this year. Ben Affleck was perfect for this role, because Ben Affleck through out he's career had a lot of hate from the media and the critics that mostly slammed him in every role that he was in. And that's why he was outstanding in this movie. Rosamund Pike acting in this film was pure brilliant and spectacular. She was so good in this role she might get a Oscar nomination for this. Tyler Perry in this movie was actually pretty damn good, and am so surprise saying that because Mr. Perry was in such awful films like: MADEA trilogy, Alex cross and the list goes on. But in this movie he did good. What this movie does so brilliantly well is how we view media today, because most of the stories you hear on the news might not be true and how the media can spread lies about people and ruining their lives. Everybody always believes what the media says even if it's true or not, because we don't know what that person on the news is going through, and this movie got that message out they so perfectly. My only problem with this movie is Neil Patrick Harris character. Now let me just say that Neil Patrick Harris wasn't terrible in the movie, but his character to me slowed the film down. Overall Gone Girl is a fantastic film.
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VanVliet
10 | Oct 26, 2017
Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes.
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Andres Gomez
7 | May 30, 2015
Good cast and decent story, although the end is not very convincing. The cut of the movie is really good and Rosamund Pike is genuinely scary. Not a master piece but quite good given the lack of passable movies lately.