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The Devil Strikes at Night (1957)

6.9 | Sep 19, 1957 (DE) | Drama, Thriller, Crime | 01:40

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

Featured Crew

Director
Editor, Assistant Director
Production Design
Executive Producer
Original Music Composer
Director of Photography
Original Story
Production Director
Production Design

Cast

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Claus Holm
Police Commissioner Axel Kersten
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Mario Adorf
Bruno Lüdke
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Hannes Messemer
SS-Gruppenführer Rossdorf
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Peter Carsten
SS-Standartenführer Mollwitz
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Carl Lange
Major Thomas Wollenberg
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Werner Peters
Willi Keun
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Annemarie Düringer
Helga Hornung
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Monika John
Waitress Lucy Hansen
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Rosel Schäfer
Anna Hohmann
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Ernst Fritz Fürbringer
Presiding Judge Dr. Schleffien

Reviews

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John Chard
8 | Mar 14, 2016
Serial Killer - Nazis - Same Thing! Nachts, wenn der Teufel kam is directed by Robert Siodmak and written by Will Berthold (article) and Werner Jörg Lüddecke. It stars Claus Holm, Annemarie Düringer, Mario Adorf, Hannes Messemer, Carl Lange and Werner Peters. Music is by Siegfried Franz and cinematography by Georg Krause. A serial killer is terrorising Hamburg, Germany, during World War II. When the local police struggle to catch him, the Gestapo are brought in to crack the case. The basis for the story is that of real life serial killer Bruno Lüdke, here played by Adorf. Yet this is only a side-bar to the actuality of Siodmak's film, for it's a clinical deconstruction of Nazi Germany at the time, a look at the final throes of that regime. It shows how the corrupt powers would do anything to not make their government look bad, with orders even coming from Adolf himself! It's all very fascinating and potent, and well performed. There's some nice visual touches via the night sequences, though you reasonably expect to have more from Siodmak, a fine purveyor of expressionism and noir chiaroscuro. There's some contrivances and a couple of badly staged action sequences, but this remains a tough political drama with mystery shadings. 8/10