High off the success of the low budget film he picked up at MUFF, Vic attempts to produce an indie-thriller and shed his reputation as a soft-core smut peddler. Will converting to Judaism, adding a “-stein” to his last name and enlisting the help of an experienced producer be enough to gain Vic Morgenstein the respect he craves from his peers?

Losing your cool at the birthday party for your investor’s kid may be the easiest way to lose money on a film; just ask Vic. Desperate to raise a million dollars, Vic discovers his only option for a new investor may be a bottle of sake away.

Things continue to spiral out of control at Vic’s Flicks as demands made by the new outlandish investor Kenji Nakamura (Nobuya Shimamoto) forces Vic, Julia and Rufus to make concessions including, upping the blood, guts, product placements and nudity; all the element of a Hollywood blockbuster.

The crew is sure the movie is doomed when a famous porn star, Scarlet Saint-James (Karen Cliché), is cast as the lead actress of their legitimate indie-thriller. They soon learn all porn stars are not created equal.

When a check from Kenji comes unsigned and for less than the full amount, production comes to a halt and Vic goes on a wild quest to get his money. On the set, Rufus’ attraction to Scarlet has Lance (James A. Woods) feeling like he’s “B-list” for the first time.

They’ve all seen her act but will they see her topless? The clock is ticking and the cameras are in place to capture Scarlet, once porn star, now lead actress, in all her glory.

Now with Rufus gone and the lead actor in a mental institution, completing the film seems impossible. But will the hiring of a new and eccentric director turn the production around?

The Closer (Clive Walton) has things under control until Scarlet refuses to do the love scene under the direction of anyone but Rufus.

Making the most of the box office success generated by their indie-thriller House of Fear, the team at Vic's Flicks moves up the ladder and into new offices. Interior design face-offs aside, Julia's main goal is to apply her carefully crafted 5-year business plan and find a follow up hit. But will the rest of them comply? One thing is for certain: the gang is back in The Business.

From the moment French director Kiki de Charentais (Simone-Elise Girard) makes her first appearance, she exudes a lingering sexual energy, powerful enough to corrupt the purest of souls. Indeed, something has come over the team at Vic's Flicks: buttons are undone, hair is flipped, body parts are exposed, soldiers are erect, fantasy flirts with reality and the magnetism in the air is practically palpable. Will the imprint left by Kiki's alluring presence be permanent?

After a masterful story-telling Irishman makes his brilliant film pitch about an IRA bomber on a politically motivated hunger strike, the team at Vic's Flicks lets the weight of it all set the tone for the remainder of the day. Convinced that this script idea is Oscar-worthy, Julia, against her better judgment, calls Lance Rawley into the office to offer him the title role. But Lance rolls in having undergone sizeable changes, leaving the others flabbergasted and speechless. Video from this episode

The past seems to catch up with Vicki, Vic and Rufus as they are confronted with secrets of their lives.

Secrets from the past have Vic on edge.

Julia is down on her luck as Nancy gets a big break.

Vic and the gang head to the Independent Spirit Awards.

The gang try to fit in at the Spirit Awards.