poster

The Eagle (1925)

6.3 | Nov 08, 1925 (US) | Adventure, Romance, Comedy | 01:13
Budget: N/A | Revenue: 323 150

There is action without pause - romance that stirs the senses - mystery that baffles - over all a love theme that sweeps the heart

Vladimir Dubrouvsky, a lieutenant in the Russian army, catches the eye of Czarina Catherine II. He spurns her advances and flees, and she puts out a warrant for his arrest, dead or alive. Vladimir learns that his father's lands have been taken by the evil Kyrilla Troekouroff, and his father dies. He dons a black mask, and becomes the outlaw The Black Eagle. He enters the Troekouroff household disguised as a French instructor for Kyrilla's daughter Mascha. He is after vengeance, but instead falls in love with Mascha.

Featured Crew

Director
Editor
Director of Photography
Costume Design
Set Decoration

Cast

profile
Rudolph Valentino
Lt. Vladimir Dubrovsky / The Black Eagle / Marcel Le Blanc
profile
Vilma Banky
Mascha Troekouroff
profile
Louise Dresser
The Czarina, Catherine II
profile
Albert Conti
Kuschka
profile
James A. Marcus
Kyrilla Troekouroff
profile
Carrie Clark Ward
Aunt Aurelia
profile
Spottiswoode Aitken
Dubrovsky's Father (uncredited)
profile
Agostino Borgato
Priest (uncredited)
profile
Gustav von Seyffertitz
Court Servant at Dinner (uncredited)

Reviews

avatar
CinemaSerf
7 | Jun 06, 2022
Louise Dresser is super as Catherine the Great who takes a bit of a shine to the handsome "Lieut. Dubrovsky" (Rudolph Valentino); but he doesn't fancy that idea very much and as thy say -"hell hath no fury...''' so before long she has issued a warrant for his arrest and he is on the run. He heads back to his family property only to find that that has been appropriated by the wicked "Kyrilla" (James Marcus) so our hero dons a black mask and in his best "Zorro Hood" style, becomes "The Black Eagle" and sets about righting these wrongs. Of course, there's some love interest - he falls for the beautiful "Mascha" (Vilma Bánky) who just happens to be the daughter of his nemesis - so he soon finds that he has some tough choices to make. Certainly, the plot is an hybrid of a few other stories, but every culture has their own variation on these upstanding, freedom fighters and Valentino cuts a dashing figure as this Russian one. The imagery is cracking, with plenty of action scenes and the romance smoulders along nicely before the, admittedly, pretty predictable ending. It's probably my favourite outing for this star - less posing and flouncing around, more acting and engagement with the plot and the audience - with even a little fun thrown in, too. Great stuff!