poster

Kimi (2022)

6.2 | Feb 10, 2022 (US) | Thriller, Mystery, Crime | 01:29
Budget: 3 500 000 | Revenue: N/A

She's not the only one listening.

A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.

Featured Crew

Editor, Director of Photography, Director
Writer, Producer
Sound Effects
Casting
ADR Voice Casting
Stunts
Stunts
Second Assistant Director
Camera Operator
Costume Design

Cast

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Zoë Kravitz
Angela Childs
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Byron Bowers
Terry Hughes
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Jaime Camil
Antonio Rivas
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Erika Christensen
Samantha Gerrity
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Derek DelGaudio
Bradley Hasling
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Robin Givens
Angela's Mother
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Charles Halford
Tall Thug
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Jacob Vargas
Glasses Thug
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Rita Wilson
Natalie Chowdhury

Reviews

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Robbie Grawey
N/A | Sep 12, 2022
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a little more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.
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Robbie Grawey
N/A | Sep 12, 2022
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.