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Pier 23 (1951)

5.2 | May 11, 1951 (US) | Crime, Mystery, Drama | 00:58

GANGLAND GALAHAD! He's a cop's pet peeve... and a gal's pet passion!

Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour "episodes," and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O'Brien. In Pier 23, O'Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison.

Featured Crew

Director, Producer
Makeup Artist
Dialogue Coach
Story
Set Decoration
Sound
Director of Photography
Editor
Music

Cast

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Hugh Beaumont
Dennis O'Brien
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Ann Savage
Ann Harmon
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Edward Brophy
Prof. Shicker
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Richard Travis
Police Inspector Lt. Bruger
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Margia Dean
Flo Klingle
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Mike Mazurki
Ape Danowski
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David Bruce
Charles Giffen
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Raymond Greenleaf
Father Donovan
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Eve Miller
Norma Harmon
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Harry Hayden
Dr. Earl J. Tomkins

Reviews

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CinemaSerf
5 | Jan 02, 2023
Hugh Beaumont is adequate here as private investigator "O'Brien" in this really rather procedural crime drama. Indeed, it comes across as two separate episodes rather clunky joined together. What does link the themes though, is that he always seems to find himself in the wrong place at the wrong time and usually ends up trying to convince folks that he isn't the criminal that all fingers seem to want to point to. This rather dry feature sees him embroiled in a wrestling cover-up for a murder which is completely devoid of jeopardy because that story concludes with half an hour to go! The next sequence sees him trying to persuade a convicted felon not to try to escape from Alcatraz, only to - yet again - get all caught up in some shenanigans that could see him in the "chair". What really doesn't help is the annoying narration - peppered with what they must have hoped were witticisms - that describe what he is about to do before he does it. It is almost as if it were made by a production team with a radio background less used to the audience being able to see what action (activity may be better) is actually going on. Kills an hour, but then so does the hoovering.