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Benedetta (2021)

6.6 | Jul 09, 2021 (FR) | History, Drama, Romance | 02:11
Budget: 24 350 000 | Revenue: 2 652 725

I don't know God's ways, but he works his will through me.

A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.

Featured Crew

Director, Screenplay
Special Effects Makeup Artist
Special Effects Makeup Artist
Co-Producer
Executive Producer
Sound Re-Recording Mixer
Production Design
Original Music Composer
Foley Artist
Producer

Cast

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Virginie Efira
Sister Benedetta Carlini
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Charlotte Rampling
Sister Felicita
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Daphné Patakia
Bartolomea
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Olivier Rabourdin
Alfonso Cecchi
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Louise Chevillotte
Sister Christina
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Hervé Pierre
Paolo Ricordati
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Clotilde Courau
Midea Carlini
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David Clavel
Giuliano Carlini
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Guilaine Londez
Sister Jacopa

Teasers

US Teaser Trailer

Official UK Teaser

Reviews

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CinemaSerf
7 | Apr 23, 2022
After living in a nunnery in Pescia since her youth, "Benedetta" (Virginie Efira) has visions that lead her to believe that she is speaking directly to Jesus. A somewhat sceptical Mother Superior (Charlotte Rampling) and her fellow nun "Christina" (Louise Cevillotte) have doubts, but those are not shared by an all-too-willing clergy and soon the young woman is the new Abbess. Simultaneously, the nunnery takes in the young "Bartolomea" (Daphne Patakia) from a torrid and violent relationship with her father and the two women become fast friends - with benefits! When the erstwhile Abbess flees to seek the intervention of the Papal Nuncio (Lambert Wilson) the full power of the church now confronts "Benedetta" - is she really a conduit from their Saviour, or is she no more than a fraud with "bestial" tendencies? The film looks stunning, the attention to the detail is excellent and Paul Verhoeven manages to delicately weave a story that demonstrates just how naive and gullible folks were in the 17th century; how fearful they were of god - and more importantly, the church and he uses the symbolism of the stigmata and of the crown of thorns to illustrate successfully the profound nature of deeply-held attitudes held by a largely ignorant, superstitious, population - especially as the plague approaches their city. It is based in fact, so the ending has limited scope for jeopardy; but Efira is superb in the role as are Cevilotte and Rampling - whose position as the story develops becomes quite an intriguing tightrope act. Sex features prominently, but none of it is gratuitous or seamy - it seems perfectly natural until used as a means of torture (and not in any kinky way!). Was she a charlatan? I know what I think...