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Becky Sharp (1935)

5.8 | Jun 28, 1935 (US) | Drama, Romance | 01:24

YOU WILL SEE HER TRANSFORMED BY THE WONDEROUS NEW TECHNICOLOR

The first feature length film to use three-strip Technicolor film. Adapted from a play that was adapted from William Makepeace Thackeray's book "Vanity Fair", the film looks at the English class system during the Napoleonic Wars era.

Featured Crew

Director
Assistant Director
Director of Photography
Music Director
Assistant Art Director
Production Assistant

Cast

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Miriam Hopkins
Becky Sharp
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Frances Dee
Amelia Sedley
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Cedric Hardwicke
Marquis of Steyne
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Billie Burke
Lady Bareacres
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Alison Skipworth
Miss Crawley
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Nigel Bruce
Joseph Sedley
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Alan Mowbray
Rawdon Crawley
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G.P. Huntley
George Osborne
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William Stack
Pitt Crawley
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George Hassell
Sir Pitt Crawley

Reviews

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CinemaSerf
6 | Apr 25, 2024
Whilst Napoleon is conquering Europe, "Becky" (Miriam Hopkins) is doing a bit of that for herself. Determined to improve on her lot as the daughter of a family of travelling performers, she uses each gullible man she meets as a stepping stone to the next. She doesn't care about any of the collateral baggage she leaves behind - including her soldier husband "Crawley" (Alan Mowbray) but maybe she finally meets her match in the wealthy "Marquis of Steyn" (Sir Cedric Hardwicke) who has seen her game playing before, and - well he's just a lot better at it than she. It's also, just as she sees the epitome of her aspirations within her grasp, that maybe, just maybe, she realises that she does have some room for affection in her life - but is it all too late for that? The film is usually only noted for it's feats of colour photography but I think that's a little unfair on both Hopkins and Sir Cedric. The former plays the ambitious and venal creature quite compellingly - indeed, she creates quite a thoroughly detestable character whilst the latter plays the shrewd and dastardly peer with some skill that also gets under your fingernails, too. The plot itself is well trammelled and the story isn't new either, but a solid ensemble of the likes of Nigel Bruce, Frances Dee and Billy Burke keep it moving noisily along for eighty minutes.