poster

The Battle of Algiers (1966)

7.9 | Sep 08, 1966 (DZ) | Drama, War, History | 02:01
Budget: 800 000 | Revenue: 964 028

The Revolt that Stirred the World!

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

Featured Crew

Original Music Composer, Director, Writer
Second Unit
Producer
First Assistant Editor
Assistant Director, Creative Consultant
Assistant Camera
Original Music Composer
Unit Publicist
Music Director

Cast

profile
Brahim Hadjadj
Ali La Pointe
profile
Jean Martin
Colonel Philippe Mathieu
profile
Yacef Saâdi
El-Hadi Jaffar
profile
Larbi Zekkal
Combattant FLN
profile
Rouiched
The Drunk Man (uncredited)
profile
Noureddine Brahimi
Responsable FLN
profile
Si Mohamed Baghdadi
Larbi Ben M'hidi

Reviews

avatar
CinemaSerf
7 | May 08, 2024
It's the mid 1950s and the population of Algeria are increasingly determined to break free from the colonial administration of France. From one perspective it's a fight for freedom, from the other a response to dangerous insurrectionism. What makes this drama stand out is the degree of impartiality with which it depicts the story. The French are still licking their wounds after leaving their Indo-Chinese empire and are desperate to avoid another defeat here. The local population are poorly educated and hopelessly outgunned but have the advantage of mobility and surprise as they seek to emulate their Oriental contemporaries. Neither side shies away from acts of brutality and that's depicted poignantly here with anyone in uniform a target for the rebels and any one at all a target by way of response. It has the feel of a docu-drama to it, with the characterisations of "La Ponte" (Brahim Hadjadj) and "Col. Mathieu" (Jean Martin) acting well as a conduit for both sides of a story that saw losers on every side and tested the humanity of each as any semblance of decency or a code of war went swiftly by the board. It's not just both sides here that are exposed to judgment, but the pretty hapless UN doesn't really come off any better (perhaps restricted by a potential French veto?). The photography and visual effects are very effective at presenting us with a largely urban war zone in which collateral damage was inevitable, and seemingly a price both parties were prepared to pay. The history of the scenario and it's results are fact, but Gillo Pontecorvo uses quite a considerable degree of creativity and sensitivity in demonstrating just how desperate times can result in desperate measures - and maybe even a little grudging respect. At times, the violence is claustrophobically presented and it's never an easy watch.