poster

The Cooler (2003)

6.7 | Nov 26, 2003 (US) | Romance, Drama | 01:41
Budget: 4 000 000 | Revenue: 10 400 000

When your life depends on losing... the last thing you need is lady luck.

Bernie works at a Las Vegas casino, where he uses his innate ability to bring about misfortune in those around him to jinx gamblers into losing. His imposing boss, Shelly Kaplow, is happy with the arrangement. But Bernie finds unexpected happiness when he begins dating attractive waitress Natalie Belisario.

Featured Crew

Director, Screenplay, Storyboard Artist
Stunt Coordinator
Original Music Composer
First Assistant Director
Casting
Stunt Double
Supervising Sound Effects Editor
ADR Mixer
Executive Producer
Foley Artist

Cast

profile
William H. Macy
Bernie Lootz
profile
Alec Baldwin
Shelly Kaplow
profile
Maria Bello
Natalie Belisario
profile
Ron Livingston
Larry Sokolov
profile
Paul Sorvino
Buddy Stafford
profile
Estella Warren
Charlene
profile
Arthur J. Nascarella
Nicky Fingers Bonnatto
profile
Joey Fatone
Johnny Cappella
profile
M.C. Gainey
Highway Officer

Reviews

avatar
CinemaSerf
6 | Feb 21, 2025
“Bernie” (William H. Macy) is the casino equivalent of “Eeyore”. He sits beside the gamblers and makes sure that his doom and gloom philosophy wears off on them and they lose cash. No, it doesn’t sound very scientific but his boss “Shelley” (Alec Baldwin) believes in it and as they cleared $32 millions there last year, well maybe he is right. This technique is one of a few, though, that are causing the gangster owners to begin to consider if maybe there needs to be changes and so now would not be a good time for “Bernie” to move on. Suddenly, he encounters “Natalie” (Maria Bello) to whom he immediately takes a shine and you can only imagine his shock when she reciprocates. Quickly, they begin to fall for each other but isn’t all of this just a little too convenient? Just to add to the confusion, son “Mikey” (Shawn Hatosy) shows up with his expectant girlfriend and clumsily has a go at fleecing the tables! With these storylines gradually knitting together we have to wonder if any of them have any chance of finding happiness or fulfilment. Macy is perfectly cast for this, with his innate hangdog expression and his conveying of a plausible sense of amazement when he manages to hook up with “Natalie”. The rest of it, though, is a bit predictable and the latter half increasingly peters out as nobody quite seems to know how they want this to end. When it does, there’s something straight out of Buster Keaton mixed with a dose of Martin Scorsese that I though a bit daft. It’s watchable enough, but Baldwin exudes all the menace of a meringue and I found it just a bit disappointing.